As I mentioned in a post last month, I am currently working on an authored book about sport heritage. The manuscript is due to the publisher in Fall 2018, so I have been busy developing chapter outlines and drafts. The book will broadly have four sections based on the sport heritage typology (tangible immovable sport heritage, tangible movable sport heritage, intangible sport heritage, and sport heritage goods and services) which was first developed by Sean Gammon and I in 2005 and later revisited in 2016. In addition, there will be full introductory and concluding chapters in large part based on the ideas of “heritage of sport/sport as heritage.” In any event, it is hoped that I will have a skeleton draft of the book (40-50k words) by August.
One of the aspects of the book which will be completed this summer are additional illustrations and examples of sport heritage, both in terms of type and geography. I will be undertaking a couple of trips to the UK and to other parts of the USA later this year to get some additional topical examples (including sport heritage landscapes, sport heritage institutions, and dissonant or subaltern sport heritages, among others). I have also asked students and colleagues from other parts of the world to send me additional representations of sport heritage in order to make the book, as best as possible, applicable to as many regions as possible. Of course, I would welcome readers of this blog to also submit representations of sport heritage from your part of the world!
I have also noticed since I started writing the book just how many more forms and types of sport heritage I see. While perhaps before I might mentality note these examples for teaching or a manuscript, I find now that I document them much more than I did before. For example, while passing through Chicago’s OHare International Airport last month, I noticed just how much of this Cubs theme restaurant is decorated by symbols of heritage. Even the souvenir stand outside of the restaurant was shaped like Wrigley Field! Heritage is a commodity, we know, and sport heritage seems to be a particularly powerful (and lucrative) one. Theme restaurants are an interesting case of both a sport heritage good and service, as well as having quasi museum-like qualities as well.
I managed to visit the new home arena of the Edmonton Oilers, Rogers Place, twice this week for two separate games. Rogers Place replaced the Coliseum, a building that was not entirely beloved but did play host to numerous important games and events – in particular, saw Gretzky and the 80s-era Oilers win five Stanley Cup championships in seven years. While the Coliseum was not far from the city core, Rogers Place is directly in downtown Edmonton and includes a surrounding entertainment space called “Ice District” which is largely still under construction.
From a heritage standpoint, there are a few attempts to give Rogers Place a sense of continuity and legacy – in particular, with the “Glory Years” of the 1980s. There are numerous street-level displays commemorating past Hall of Fame players and championship seasons.
A statue of Wayne Gretzky, that stood in front of the Coliseum since 1988, has been relocated to Rogers Place and now sits in front of an Oilers Hall of Fame (which also appears to double as a press conference room and event rental space). It appears that there is no public access to the hall of fame.
Inside the building there are a few large stylized photos of past Oilers, focusing again mainly on the 1980s championship-era teams.
There were a few more contemporary photos from more recent teams, including current players, but the heritage focus is very time specific. Popular Oilers from other eras – such as Tommy Salo, Curtis Joseph, Kelly Buchberger, Doug Weight, and Jason Smith – do not appear to be represented, at least in spaces accessible to fans. Given that a fan would have to be at least 35 – and probably over 40 – to have any direct memory of the 80s teams, the choice is a curious one. Furthermore, the Oilers have a pre-NHL heritage from when they played in the now-defunct WHL and which doesn’t appear to be represented. In addition, the other main tenant of Rogers Place is the Edmonton Oil Kings, a major junior hockey club with a long history of success. However, outside of championship banners, there doesn’t appear to be any recognition of that team’s heritage.
One welcome non-sport heritage touch are that there are several public artworks in the building, most noticeably Alex Janvier’s Tsq Tsq Ke K’e (Iron Foot Place) mural at the front entrance.
As a sporting venue, Rogers Place is a mix of some of the best and some of the worst of sports stadiums. The design and many of the spaces in the arena are impressive. However, a lack of toilet facilities, public water fountains, congestion in concourse spaces, and extraordinarily uncomfortable seating in the upper levels, makes viewing a game there as a mixed experience at best. Indeed, the difference between sitting in the upper and lower levels is as extreme as I’ve experienced at a sporting venue.
I’m spending the week in Edmonton, Alberta, Canada before term begins at Clemson, and after clearing customs at Edmonton International Airport late last night, I spotted these displays at the baggage carousel:
Respectively, they are displays celebrating the Edmonton Eskimos football club (and their many Grey Cup championships), the Edmonton Oil Kings junior hockey club (players from 15-20 years old), and the Edmonton Oilers hockey club.
I think the semiotics of international arrivals lounge at an airports to be fascinating. In fact, in many ways, aiports as a whole tend to be “best of” samples of a destination, whether it be food or art or culture (passing through the Nashville airport en route to Edmonton last night included seeing several buskers playing country music, and many of the recorded airport announcements were done by country music stars. But, I digress…). However, the international arrivals in particular are the first impression travellers have of both the city and, often, the country.
In any event, Edmonton has one of the best research universities in the world, a beautiful river valley park space and the Northern Lights through parts of the year, and is situated in a province with five UNESCO World Heritage sites – including the Canadian Rockies. And, yet, the sporting culture of the city trumped all of these. This is not, of course, to disparage these displays – as has been argued many times on this blog and elsewhere, sport culture and heritage can be strong place identifiers and promoters. However, I think it was surprising that sport was given the entirety of the international arrivals space – trumpeting that THE defining cultural marker of the city is sport.
Happy New Year!
The Sport Heritage Review blog has been in operation since mid-2013. The main purposes of the blog were three-fold: 1. to disseminate sport heritage research and views about sport heritage, 2. to discuss the state of sport heritage, both academic and popular, 3. to act as a kind-of reference point, particularly for me, to express ideas about sport heritage which may be used in research at a later date (a kind of research thought diary, as it were). This blog receives very modest readership, although I believe in a few instances it has helped to stimulate some new directions and thoughts about sport heritage and sport heritage research, and not just in my own research. That said, I had hoped it would be something a little more akin to the excellent Sport in American History blog, which has multiple contributors providing consistent and high-quality contributions. I’m not sure this is feasible for this blog – heritage remains a relatively misunderstood and opaque term, and few folks I have approached have volunteered their time and talents – and would take a level of time and commitment that simply isn’t possible at this stage. Furthermore, 700-1200 word blogs every week or two about a sport heritage topic is difficult to continue given my other research, teaching, and service commitments.
That said, I think there are some directions this blog could go, and I plan to try a specific direction out over the next few months or so. Currently, I am sole-authoring a book called Heritage and Sport for Channel View publications – which, to the best of my knowledge, will be the first authored (rather than edited) book about sport heritage. The manuscript is scheduled for submission in October 2018, so I am currently deep into the research, outlining, and drafting stages of the book. This will be my first authored book, and I am finding the process both deeply intimidating as well as wonderfully invigorating. I am also currently lead on a grant project that is using sport heritage in a health-based program, specifically using college football-based sport heritage and sport nostalgia in the development of care programs for dementia patients. I am very excited (though, again, deeply intimidated) by this project, and I hope that we can see how sport heritage can be used in a very different setting. Finally, I have a new doctoral student who is very interested in looking at sport heritage in a Korean context, which could yield some very interesting perspectives about this topic. So, needless to say, there are a few things going on over the next year or two!
As such, I thought I might use this blog to document the process of these three projects in particular, and perhaps others projects as they develop. I envision that this would largely entail short, frequent notes (perhaps 200 words or so, perhaps accompanied by a photo or two) about a particular book or article I am reading in researching my book or a sport heritage place I am visiting as part of the research process, or some of the observations I made while helping to develop the sport heritage/dementia care program, or a summary of a discussion between my grad student and I about sport heritage. I imagine I will likely also use this blog to post questions or roadblocks encountered during these projects, or work through methods issues we might have, or celebrate some of our successes. I imagine I will, from time to time, have longer, more in-depth pieces as well, as well as promoting some of my own research when it is published, but I think documenting the nuts and bolts of sport heritage research would be both helpful for me and, potentially, of greater interest than what I have been writing on this forum over the past few years.
I feel proud about much of what has been written on this blog to-date, and I think it has – at times – been useful. But, I am excited about this new direction for this forum, and I hope you’ll join me.
I am pleased to announce the publication of “Towards a critical sport heritage: implications for sport tourism” in the Journal of Sport & Tourism. This paper was authored by myself, Gregory Ramshaw of the Department of Parks, Recreation and Tourism Management at Clemson University, and Sean Gammon of the School of Sport, Tourism and the Outdoors at the University of Central Lancashire, and looks at the growing relationship between sport, heritage, and tourism. In particular, it reexamines Ramshaw and Gammon’s (2005) sport heritage typology, particularly given the immense changes in critical heritage studies research over the past decade. From the abstract:
This paper reflects upon the development and increased acceptance for heritage becoming a key component of sport tourism research. The original sport heritage typology, as posited by Ramshaw and Gammon (2005), is re-examined through a more critical lens, revealing additional dimensions that help augment its key components. More specifically, it is argued that future studies should consider the more intangible features of sport heritage, as well as acknowledging the expanding global nature of sport and its impact upon fandom. Also, the case is made for research to explore the dissonance inherent in much of sports heritage, as well as determining where the power lies in allocating and championing current sport heritages. Lastly, the more general implications to the field of sport tourism are offered with particular regard to motivation, place and consumption.
We hope that this paper helps to reframe our original sport heritage framework, noting both how this topic area has evolved as well as suggesting areas where sport heritage research ought to go.
There are a limited number of free downloads of this paper available here. We hope that it helps take sport heritage research in some new and exciting directions.
I am currently writing a book about heritage and sport, and as part of my research to find new perspectives about this topic I came across Mike Cronin and Roisin Higgins excellent Places We Play: Ireland’s Sporting Heritage. While the authors cover many topics one would expect from a sport heritage-based book – including some of the sites, stadiums, and places associated with Irish sport – they also included a chapter about something I hadn’t considered before: institutions as a form of sport heritage. Specific to their topic, they considered in particular non-sport institutions such as the Catholic Church, the YMCA, and schools and universities as “a key set of institutions in Irish life which believed that sport and physical exercise would benefit their communities” (p. 59).
Of course, one can not only consider the non-sport institutions that helped to historically facilitate sport (particularly at the community and grassroots level), often as something – again to quote Cronin and Higgins – that was “morally and physically beneficial” to people. Rather, in addition, could we also consider other institutions that help to create, disseminate, and facilitate sport heritage – such as media, or the military? Or that which protects sport heritage sites, like the law and government? Sport heritage is, after all, used to generate nationalism in many different ways.
And, again, if we take a subset of institutions and think, specifically, about sport heritage organizations – such as interest groups, professional organizations, and the like – certainly these could be part of the sport heritage as well. And, sports and media organizations also have their own heritage – not just in terms of corporate culture and the like, but also in terms of celebrating longevity (anniversaries of leagues, the marking of events such as the SuperBowl, etc.) These are not only marketing tropes, but also give a sense of permanency and trust.
Of course, the role of institutions and organizations in sport has been touched-on in sport history. However, that institutions and organizations are both connected to sport heritage, and how they use sport heritage to meet their current aims and considerations, is something to explore.
One element of heritage, particularly public manifestations of heritage, is that heritage is much more fun to do and to watch rather than to read-about. Most museums and historic sites will provide opportunities for visitors to touch, feel, and try particular activities from the past. Many will also incorporate forms of live interpretation and re-enactments, in order for visitors to see the past “come to life.” Certainly, these opportunities provide a much more diverse learning opportunity for visitors and provide a sensual, and perhaps empathetic, link between past and present. However, these kinds of activities are also enjoyable and make for an entertaining day out. Perhaps this is why forms of heritage events, such as the ubiquitous Renaissance Fair and Battle Re-enactments, are so popular. Of course, the forms and types of authenticity in these kinds of representations can vary. In my earlier life working at a pioneer village, we worked with several re-enactment groups, and while I found there was an intense fidelity to the accuracy of their outfits, there was little understanding – or care – of the broader social, cultural, and political issues of that material culture…or most anything else, really. At times, it was a cosplay, albeit with real or imagined educational overtones. At other times, I have seen re-enactment done very well, where it is entertaining, accurate, and informative.
Sport heritage has been relatively slow to the re-enactment game, although this has been changing. Certainly, sports museums employ interactive exhibits for a variety of reasons, from entertaining visitors to recruiting the next generation of athletes, though given the ludic nature of sport, it is surprising we have not seen more sites use more interpretation and re-enactments. Similarly, sport re-enactments and historical demonstrations may be akin to experimental archaeology, where historical sports are attempted to see how they work in time and space. However, there appears to be a rise in forms of sport heritage re-enactment and demonstration, particularly in the United States using early manifestations of baseball.
Vintage Base Ball, as it is called, uses rules from the mid-to-late 19th century, and includes players dressing up in period costume and – in some cases – using antiquated language. The sport is a bit of a hybrid between contemporary baseball and cricket, most noticeably in that the pitcher is called the bowler and fielders don’t use gloves. As The Guardian describes it in an article from August:
It’s an intriguing slice of Americana. A blend of historical re-enactment and competitive endeavor, the game could be said to occupy something of a fraught intersection between where baseball was and where it is now…(T)he sport also counts hipsters in search of something off-mainstream, and conservative types attracted by a sense of nostalgia, a period when gentlemanly conduct pervaded the game. Even those who crave a scintilla of officialdom.
Certainly, there are broader ideas – and ideals – of simplicity and something of the rural pastoral, which is indicative of many forms of heritage. The Guardian notes that there has been a significant rise in the number of teams in recent years, and while this could be simply the latest heritage/leisure trend, perhaps there is a larger issue going on – what Philip Moore calls “practical nostalgia” – whereby the nostalgic past becomes a roadmap for how to cure the ills of the present and future. Perhaps Vintage Base Ball is the latest antidote for coping with contemporary society.
Earlier in October, I had the chance to actually play Vintage Base Ball as part of the Georgia Peaches – representing the Ty Cobb Museum in Royston, Georgia – as they took on the Shoeless Joes – representing the Shoeless Joe Jackson Museum in Greenville, South Carolina. The event is held each autumn, and the host museum flips back and forth (this year’s event was held in Royston). While many heritage-based events have goals related to awareness, or an attendance increase, or to raise funds, this annual event appears to exist simply to exist – that it is a way to celebrate, and perhaps redeem and rehabilitate, two of baseball’s infamous antiheroes: Joe Jackson, kicked out of baseball and banned from Hall of Fame induction, for allegedly being part of a group that fixed the 1919 World Series, and Ty Cobb, one of the game’s greatest players, but who might be most well-known for having an extremely short, violent, and possibly racist temper. Shoeless Joe has become a bit more of a folk hero in recent years, perhaps because of his link to the work of the late W.P. Kinsella and the film Field of Dreams, while Cobb – though still largely viewed in a negative light – has inspired recent scholarship that challenges much of the popular negative depiction of him.
There is also an element of kinaesthetic learning to Vintage Base Ball. Like experimental archaeology, Vintage Base Ball could be considered a form of experimental sport heritage – trying a game from the past, in the present, and seeing how it works. I noticed that the game when relatively quickly – we played two games, in fact, and neither took more than 90 minutes or so. In part, it seemed that this had much to do with the rules, in particular that an out could be achieved from catching the ball after one hop (rather than in the air, as is the only way contemporary baseball). Similarly, you could see the echoes of cricket in the game, particularly in terms of fielding and style of play. Certainly, in the 1860s there was a transition from cricket to baseball, though beyond terminology and the lack of gloves, there is also an apparent shared yearning for a more civil form of recreation and leisure. Finally, although there was some fidelity to authentic representation (one player for the Georgia Peaches came all the way from St. Louis, and wore a vintage Detroit Tigers uniform for the game), it was more about celebrating the achievements of Cobb and Jackson, as well as creating a tradition in their name.