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Happy New Year!
The Sport Heritage Review blog has been in operation since mid-2013. The main purposes of the blog were three-fold: 1. to disseminate sport heritage research and views about sport heritage, 2. to discuss the state of sport heritage, both academic and popular, 3. to act as a kind-of reference point, particularly for me, to express ideas about sport heritage which may be used in research at a later date (a kind of research thought diary, as it were). This blog receives very modest readership, although I believe in a few instances it has helped to stimulate some new directions and thoughts about sport heritage and sport heritage research, and not just in my own research. That said, I had hoped it would be something a little more akin to the excellent Sport in American History blog, which has multiple contributors providing consistent and high-quality contributions. I’m not sure this is feasible for this blog – heritage remains a relatively misunderstood and opaque term, and few folks I have approached have volunteered their time and talents – and would take a level of time and commitment that simply isn’t possible at this stage. Furthermore, 700-1200 word blogs every week or two about a sport heritage topic is difficult to continue given my other research, teaching, and service commitments.
That said, I think there are some directions this blog could go, and I plan to try a specific direction out over the next few months or so. Currently, I am sole-authoring a book called Heritage and Sport for Channel View publications – which, to the best of my knowledge, will be the first authored (rather than edited) book about sport heritage. The manuscript is scheduled for submission in October 2018, so I am currently deep into the research, outlining, and drafting stages of the book. This will be my first authored book, and I am finding the process both deeply intimidating as well as wonderfully invigorating. I am also currently lead on a grant project that is using sport heritage in a health-based program, specifically using college football-based sport heritage and sport nostalgia in the development of care programs for dementia patients. I am very excited (though, again, deeply intimidated) by this project, and I hope that we can see how sport heritage can be used in a very different setting. Finally, I have a new doctoral student who is very interested in looking at sport heritage in a Korean context, which could yield some very interesting perspectives about this topic. So, needless to say, there are a few things going on over the next year or two!
As such, I thought I might use this blog to document the process of these three projects in particular, and perhaps others projects as they develop. I envision that this would largely entail short, frequent notes (perhaps 200 words or so, perhaps accompanied by a photo or two) about a particular book or article I am reading in researching my book or a sport heritage place I am visiting as part of the research process, or some of the observations I made while helping to develop the sport heritage/dementia care program, or a summary of a discussion between my grad student and I about sport heritage. I imagine I will likely also use this blog to post questions or roadblocks encountered during these projects, or work through methods issues we might have, or celebrate some of our successes. I imagine I will, from time to time, have longer, more in-depth pieces as well, as well as promoting some of my own research when it is published, but I think documenting the nuts and bolts of sport heritage research would be both helpful for me and, potentially, of greater interest than what I have been writing on this forum over the past few years.
I feel proud about much of what has been written on this blog to-date, and I think it has – at times – been useful. But, I am excited about this new direction for this forum, and I hope you’ll join me.
I am pleased to announce the publication of “Towards a critical sport heritage: implications for sport tourism” in the Journal of Sport & Tourism. This paper was authored by myself, Gregory Ramshaw of the Department of Parks, Recreation and Tourism Management at Clemson University, and Sean Gammon of the School of Sport, Tourism and the Outdoors at the University of Central Lancashire, and looks at the growing relationship between sport, heritage, and tourism. In particular, it reexamines Ramshaw and Gammon’s (2005) sport heritage typology, particularly given the immense changes in critical heritage studies research over the past decade. From the abstract:
This paper reflects upon the development and increased acceptance for heritage becoming a key component of sport tourism research. The original sport heritage typology, as posited by Ramshaw and Gammon (2005), is re-examined through a more critical lens, revealing additional dimensions that help augment its key components. More specifically, it is argued that future studies should consider the more intangible features of sport heritage, as well as acknowledging the expanding global nature of sport and its impact upon fandom. Also, the case is made for research to explore the dissonance inherent in much of sports heritage, as well as determining where the power lies in allocating and championing current sport heritages. Lastly, the more general implications to the field of sport tourism are offered with particular regard to motivation, place and consumption.
We hope that this paper helps to reframe our original sport heritage framework, noting both how this topic area has evolved as well as suggesting areas where sport heritage research ought to go.
There are a limited number of free downloads of this paper available here. We hope that it helps take sport heritage research in some new and exciting directions.
The College Football Hall of Fame (CFHF) in Atlanta, Georgia (relocated from South Bend, Indiana in 2014) is, perhaps, best described as a more a place of worship than a museum. Of course, most sports halls of fame are more about veneration than education for a variety of reasons. However, the College Football Hall of Fame takes this approach to a new level, as it very much is about experiencing and celebrating the meanings, traditions, and legacies of college football. There are, relative to the size of the museum, very few artefacts, and the displays – while familiar to most contemporary museum patrons – are less about sacred treasures and more about reliving and celebrating the past and present of the sport. In fact, most of the collection – including the inductees themselves, as well as the many sights and sounds of college football – are entirely digital. Even more than that, they are personally curated based on your college football affiliation.
To the uninitiated, college football in the United States involves – in theory – amateur competitions between institutes of higher education. However, the scale, scope, pageantry, and money (particularly for the coaches, administrators, broadcasters, sponsors, and many athletics programs) involved in college football are entirely professional. Different regions and conferences will have different football cultures – from styles of play to tailgating traditions. In addition, there are hundreds of college football teams throughout the United States – from internationally known programs like Notre Dame, Alabama, and Ohio State who fill 90,000 seat stadiums and attract millions of dollars in support, through to small division two and three programs which have limited spectatorship and financial support. Indeed, the challenge of a CFHF is that is has to be both general – in terms of representing the whole of college football – while also being specific to the recognizable teams, games, and athletes.
The CFHF experience begins with a “log-in” procedure where your information – and fan affiliation – are recorded, both to personally curate your experience (each visitor receives a lanyard to wear that allows for swiping at interactive stations along the way) as well as collect visitor information – including contact information. Most visitors view a 10 minute video that provides visitors something of the experience of a college game day at a large stadium and university. Visitors can then view some of the famous trophies from college football, including the Heisman Trophy (awarded annually to the top player in college football). A large part of the museum space is dedicated to fan traditions, such as tailgating and team fight songs, and there is also a section on college football bands and cheer teams. Visitors then proceed through a section about college football coaches, training regiments for college football, the evolution of college football equipment, college football rivalries, and famous college football broadcasts. The one section that comes close to a broader social history is a small display about historically black colleges and universities, as well as a small display about “service” college football programs from the armed forces.
The top floor of the CFHF is the actual hall of fame itself – which is entirely digital – and a section about players who have gone on to great careers outside of football. Finally, there is a large, indoor practice-type facility where visitors can try their football skills before exiting through the gift shop and back into Atlanta’s Olympic Plaza.
The basic narrative of the CFHF could be boiled down to “College football is great, and it has created great games, great champions, and great men – both on and off the field.” I wasn’t expecting anything different, nor is it really set up to do anything different than celebrate college football. Again, most halls of fame aren’t particularly interested in broader social or political issues, and a visitor is not going to find much about race, gender, economic, or health issues at the CFHF. In other words, it does what it says on the tin, and is unapologetic about it. And, judging by the crowds that were there the day we visited, it is an unabashed crowd-pleaser and, it would seem, people broadly enjoy the experience.
Of course, I believe this rather hagiographic approach is – broadly speaking, and not just for the CFHF – limiting. I think there is room for places like this to be, in the terms of the new museology, forums and not just sites of worship. And, I think that forum approach need not be just about some of the broader issues in college football and university athletics, but can be celebratory as well. From what I could see, there isn’t much space for temporary exhibits, nor did there appear to be any form of public, live interpretation or other form of programming. I think this is limiting, both in terms of the broad content and presentation of the CFHF, but also its broader appeal. In many respects, once you’ve “done” the CFHF, there are not many reasons to go back – at least for several years. It is possible that repeat visitation isn’t one of their major goals, and given that the CFHF is in the tourist district of Atlanta, right near the stadium that hosts numerous college football games that attract visiting fans, it may not need to attract regular repeat visitors. In some ways, it is set up to visit every three to five years, which may entirely meet their mandate. However, I’m just not sure there is much room to grow or change its galleries, and offer something new to the annual visitor.
One of the other aspects that was pointed out to me – and one that I may have overlooked otherwise – was that the focus of the CFHF really is the “big time” college football programs, particularly from the South. Working at Clemson, we are one of those big-time Southern programs, so it all was instantly recognizable to me. However, I could understand how a college football fan from a smaller school or, say, a west coast university might not necessarily recognize the depiction of the sport and its traditions. I would also suggest that the digital approach, though interesting and interactive, also had its issues. Despite it being only two years old, many of the interactive displays were already showing some wear-and-tear, and several were down for maintenance. Furthermore, I found it difficult to find information not related to Clemson. While the personal curatorship was an interesting approach, it was a bit more challenging to find out about other athletes, games, and programs.
As a visitor, I found it enjoyable enough, but I also have the real-deal of a big time college football program just steps from my office. I think it is a site that would appeal to both the dedicated fan and, possibly, might be of interest to someone wanting an introduction to the sport. In some ways, I could see it appealing to foreign visitors as a way of having an immersive American football experience on non-game days and in the off-season. As a heritage scholar, it is very much a corporate museum – a football museum celebrating football as a self-contained phenomenon. In other words, there wasn’t much about a broader context for developments in the sport and its traditions. The influence of corporate sponsorships were also a bit invasive (Kia branding throughout the tailgating exhibit, for example) and, I felt, detracted from the experience. Finally, if we are to understand heritage as the “present use of the past,” the CFHF celebrates all that is good about the college football experience, perhaps to mask the myriad of issues the sport currently faces – concussions and other health issues, sexual assaults committed by players and ignored by athletic and university administration, players’ labour issues, including unionization and pay, and the fact that college football coaches and administrators are almost always the highest paid employees on campus, to name but a few.
I am pleased to announce the publication of “Leveraging sport heritage to promote tourism destinations: the case of the Tour of Flanders Cyclo Event.” This article, to be published in the Journal of Sport & Tourism, was co-authored with Dr. Inge Derom from Vrije Universiteit Brussel and is based off of data she collected in 2013. A limited number of free e-copies of the article are available.
From the abstract:
The conceptual framework of event leverage has been applied to cases of event sport tourism, but it has been under-examined in cases of heritage-based active sport tourism. Using the framework of event leverage, the purpose of this paper is to explore the strategic opportunities for tourism destination development associated with hosting heritage-based active sport tourism events. Quantitative and qualitative survey data were collected from participants (N = 1091) at the 2013 edition of the Tour of Flanders Cyclo event. This annual active sport tourism event has gained world-wide popularity through explicit associations with Flanders’ cycling heritage. The findings reveal significant differences between national and international event participants in terms of their socio-demographic profiles, cycling behaviours, and event motivations. Active sport tourists who travelled internationally to take part in the event were more committed to experiencing and pursuing the event’s heritage, as active participants as well as passive spectators. While sport tourism events are commonly identified as the key resource in the event leveraging literature, this paper highlights the leveraging potential of other event and destination-related resources, including event heritage, route, and atmosphere. The findings contribute to the conceptual framing of event leverage by identifying active sport heritage as an important resource to promote participation among sport tourists. This study suggests a broader conceptualisation of sport heritage as an active and embodied process. Event stakeholders are advised to create temporary and permanent transformations that can enhance the connection between the facets of the event and the context of the host to attract domestic and international participants all year round.
This research is important for sport heritage scholars and practitioners in several ways, including that the heritage of sporting events can be an important lure for sport tourists, that sport heritage can be an active and participatory and not merely passive and consumptive, and that destinations could employ their sport heritage connections in tourism development, particularly to attract international visitors.
For the last two years, I have written blog posts recommending some sports-centric books suitable for beach-reading. That is to say, these books need to a) be somehow about sport, and b) need to be substantive – but not weighty (perhaps both in tone and tome, as it were). Though we are a few weeks into summer at this point, there are probably a few weeks left of beach time (at least for us in the northern hemisphere) and a chance to catch up on some summer reading. I will also point out that these are simply some of my recommendations – the excellent Sports Biblio website is a treasure trove for sports lit, and is certainly far more in-depth and complete that my meagre offering here. Finding a theme for this years list, I’d venture to place my recommendations into two categories – deeply bucolic and idyllic, and nostalgic in, perhaps, the most romantic and bittersweet way. Enjoy!
Wisden Cricketers’ Almanack – Larwrence Booth (ed.)
Few things signal the beginnings of summer more for me than the publication of the Wisden Cricketers’ Almanack. Though the physical almanack is, perhaps, a little unsuitable for beach-reading per se, the “Shorter” Wisden – available for e-readers – includes all of the best written components of the Almanack without the many scorecards from county games and the like (though, personally, I download the shorter version for my Kindle and order the physical copy for my library). Wisden is perhaps most famous for its “Five Cricketers of the Year,” each year offers many original insights about the state of the game (2016’s version includes discussions ranging from the history of cricketing celebrations to exploring why there aren’t more British-Asians in first-class cricket), while the review section includes all of the annual round-ups of cricket miscellany: from cricket books and film to cricket on social media to the market for cricket memorabilia. There is also a wonderful obituary section which includes often moving write-ups of first-class cricketers and administrators great and small, the recaps of England’s international team, the domestic leagues, and cricket around the world. Every summer, I piece through Wisden – reading bits here and there – and it never fails to make me dream of perfect summer days at some county ground.
Sweet Summers – JM Kilburn
“Cricket is of us, as the very breath in our lungs, makes poets of the incoherent and artists of the artisans. Not one of us that takes a bat or bowls a ball or watches a game but gives and receives a precious heritage.” So says JM Kilburn, longtime cricket correspondent for the Yorkshire Post, in this collection of his best cricket writing. Though Wisden is steeped in heritage, it is very much focused on the game as it is now. This collection, on the other hand, reveals a past where cricket – particularly at the county level – was truly important, and poetic, and a goodly heritage. Kilburn’s writing is idyllic and bucolic and wonderful in all of the ways that sentimental writing ought to be, with the added component that it is never saccharine and always done with the greatest affection. I find myself reading and re-reading sections of this book often, particularly when I find that life has gotten in the way of perfect leisure, and it reminds me of what once was, and could be again.
Not by a Long Shot – T.D. Thornton
With apologies to boxing, few sports have seen such a vast decline in popularity – at least in the United States – as horse racing has in the past 80 years. That decline – and, perhaps, the romance that goes along with a sport that is still deeply loved by a few hardcore and dedicated stalwarts – is the focus of Thornton’s book about the (now closed) Suffolk Downs track in Boston. In equal parts autopsy and love letter, Thornton explains the decline of the sport while still demonstrating vast admiration for those places and people that keep it going.
Up, Up, and Away – Jonah Keri
The Montreal Expos seem like a strange topic for such an engrossing book that is both autoethnography (Keri was a die-hard Expos fan) and history, but Keri does a remarkable job of weaving personal narrative, historical narratives, and interview material together to discuss the rise and fall of Canada’s first Major League Baseball team. Though the Expos left Montreal in 2004, there is a growing movement to expand or relocate to the city again. Given what Keri describes in this book, Expos 2.0 will have a long ways to go to live up to the drama, personalities, and fun of their predecessors.
The idea of dissonance as perhaps the central, innate characteristic of heritage is not new. Indeed, if we accept that all heritage is not neutral, the notion that all heritage could have a counter narrative seems reasonable. In this, we understand – as many in critical heritage studies do – that heritage is often, and perhaps always, about power.
In sport heritage, we have not necessarily considered dissonant heritages that often. While Sean Gammon and I, back in 2005, argued that the sporting past in tourism ought to be called heritage rather than nostalgia – in large part because heritage had the capacity for dissonant narratives – there actually aren’t that many dissonant narratives at sport heritage sites. Of course, there are many reasons for this – as most sport heritage sites like museums and halls of fame are primarily about celebration of achievement and, as such, more challenging views are frequently ignored. Still, there appears to be very few outlets where more challenging approaches to the sporting past – at least in terms of cultural sites like museums – are seen. Similarly, many non-sport cultural entities tend to avoid sporting exhibitions, perhaps viewing sport as too common and popular to represent at, say, a gallery or as part of a broad-based exhibition.
However, there are a few examples I am familiar with where art, dissonance, and sport heritage have met. Perhaps the best example was the Arena: The Art of Hockey exhibition at the Art Gallery of Nova Scotia in 2008. The exhibition both embraced and challenged many of the links between hockey and Canadian national identity. On the one hand, many of the works embraced – if, somewhat subversively – the role hockey plays in Canadian identity. I recall one work which was little more than a nude male and female holding hockey sticks. On the other hand, there were many works that challenged hockey culture and heritage. One work, in particular (and, forgive, I forget the name – though it appears that there are still exhibition guides available) was a collage of images set on an indigenous reserve that featured scenes of hockey as well as suicide, alcoholism, racism and sexual abuse. Although I suspect the work could be read in many ways, I took it as the fact that hockey – and sport in general – does not necessarily address, and perhaps masks, larger social issues.
Similarly, a 2008 exhibition called “Hard Targets: Masculinity and Sports” looks at the violence and voyeuristic aspects of sport consumption. Like Arena, this exhibition appeared to take sport cultures and heritages into an unfamiliar space, both critiquing and celebrating the physicality of sporting practices.
Although there are certainly many other examples of art, dissonance, and sport heritage than these, and there are many sporting sites and places that do address dissonant heritages (Although I have a chapter coming out in early 2017 which looks at several sites that employ dissonant sport heritage narratives), there appears to be space within art galleries in particular – which, perhaps is not available to traditional sport heritage sites like museums and halls of fame – to both celebrate and challenge sport heritages. Perhaps some of this has to do with visitor expectations: hall of fame patrons may be looking to celebrate and nostalgize, while gallery patrons may expect subversion. However, these not need be polar opposites – and can exist, in many cases, side by side (as was recently featured in a post about Argentina). Certainly, many stadia – such as Marlins Park in Miami – have incorporated public art into stadium design (and not simply for nostalgic purposes). While this is not always necessarily addressing major social issues – as some of the art in the Arena exhibit might – it nevertheless demonstrates that so-called “high” and “low” cultures and heritage are not necessarily incompatible.
I am pleased to announce the publication of “Sport heritage and the healthy stadia agenda: an overview” in the Sport in Society journal. This paper is part of a special issue about the healthy stadia agenda.
From the abstract:
The healthy stadia agenda and sport heritage research appear to have much in common, though their relationship has not yet been explored in any detail. Many sport heritages involve playing particular sports, which may enhance physical activity aims of the healthy stadia agenda, while stadium tours – a staple of sport heritage industry – may also incorporate healthy stadia narratives. Similarly, sport heritage and the healthy stadia agenda are potential partners in public education, both through informal stadia-based public programmes and venue displays as well as more formal curriculum-based programming at sporting venues. However, the relationship between sport heritage and the healthy stadia agenda may also have some issues and challenges as well, as many sport heritages involve health risks and unhealthy behaviour. Ultimately, managers and researchers alike may wish to further consider the relationship between sport heritage and the healthy stadia agenda.
Health-based approaches and perspectives are relatively new in the the sport heritage field, and this paper is – as far as I am aware – the first that links sport heritage to the healthy stadia initiative, and one of the few that specifically attempts to link sport heritage to health-based agendas.
A limited number of free copies of this paper are available by accessing this link.
I would like to thank the editors and manuscript reviewers, particularly Dr. Dan Parnell of Manchester Metropolitan University, for their comments and suggestions, and for being receptive to a different approach to the healthy stadia agenda.