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Happy New Year!
The Sport Heritage Review blog has been in operation since mid-2013. The main purposes of the blog were three-fold: 1. to disseminate sport heritage research and views about sport heritage, 2. to discuss the state of sport heritage, both academic and popular, 3. to act as a kind-of reference point, particularly for me, to express ideas about sport heritage which may be used in research at a later date (a kind of research thought diary, as it were). This blog receives very modest readership, although I believe in a few instances it has helped to stimulate some new directions and thoughts about sport heritage and sport heritage research, and not just in my own research. That said, I had hoped it would be something a little more akin to the excellent Sport in American History blog, which has multiple contributors providing consistent and high-quality contributions. I’m not sure this is feasible for this blog – heritage remains a relatively misunderstood and opaque term, and few folks I have approached have volunteered their time and talents – and would take a level of time and commitment that simply isn’t possible at this stage. Furthermore, 700-1200 word blogs every week or two about a sport heritage topic is difficult to continue given my other research, teaching, and service commitments.
That said, I think there are some directions this blog could go, and I plan to try a specific direction out over the next few months or so. Currently, I am sole-authoring a book called Heritage and Sport for Channel View publications – which, to the best of my knowledge, will be the first authored (rather than edited) book about sport heritage. The manuscript is scheduled for submission in October 2018, so I am currently deep into the research, outlining, and drafting stages of the book. This will be my first authored book, and I am finding the process both deeply intimidating as well as wonderfully invigorating. I am also currently lead on a grant project that is using sport heritage in a health-based program, specifically using college football-based sport heritage and sport nostalgia in the development of care programs for dementia patients. I am very excited (though, again, deeply intimidated) by this project, and I hope that we can see how sport heritage can be used in a very different setting. Finally, I have a new doctoral student who is very interested in looking at sport heritage in a Korean context, which could yield some very interesting perspectives about this topic. So, needless to say, there are a few things going on over the next year or two!
As such, I thought I might use this blog to document the process of these three projects in particular, and perhaps others projects as they develop. I envision that this would largely entail short, frequent notes (perhaps 200 words or so, perhaps accompanied by a photo or two) about a particular book or article I am reading in researching my book or a sport heritage place I am visiting as part of the research process, or some of the observations I made while helping to develop the sport heritage/dementia care program, or a summary of a discussion between my grad student and I about sport heritage. I imagine I will likely also use this blog to post questions or roadblocks encountered during these projects, or work through methods issues we might have, or celebrate some of our successes. I imagine I will, from time to time, have longer, more in-depth pieces as well, as well as promoting some of my own research when it is published, but I think documenting the nuts and bolts of sport heritage research would be both helpful for me and, potentially, of greater interest than what I have been writing on this forum over the past few years.
I feel proud about much of what has been written on this blog to-date, and I think it has – at times – been useful. But, I am excited about this new direction for this forum, and I hope you’ll join me.
I am pleased to announce the publication of “Towards a critical sport heritage: implications for sport tourism” in the Journal of Sport & Tourism. This paper was authored by myself, Gregory Ramshaw of the Department of Parks, Recreation and Tourism Management at Clemson University, and Sean Gammon of the School of Sport, Tourism and the Outdoors at the University of Central Lancashire, and looks at the growing relationship between sport, heritage, and tourism. In particular, it reexamines Ramshaw and Gammon’s (2005) sport heritage typology, particularly given the immense changes in critical heritage studies research over the past decade. From the abstract:
This paper reflects upon the development and increased acceptance for heritage becoming a key component of sport tourism research. The original sport heritage typology, as posited by Ramshaw and Gammon (2005), is re-examined through a more critical lens, revealing additional dimensions that help augment its key components. More specifically, it is argued that future studies should consider the more intangible features of sport heritage, as well as acknowledging the expanding global nature of sport and its impact upon fandom. Also, the case is made for research to explore the dissonance inherent in much of sports heritage, as well as determining where the power lies in allocating and championing current sport heritages. Lastly, the more general implications to the field of sport tourism are offered with particular regard to motivation, place and consumption.
We hope that this paper helps to reframe our original sport heritage framework, noting both how this topic area has evolved as well as suggesting areas where sport heritage research ought to go.
There are a limited number of free downloads of this paper available here. We hope that it helps take sport heritage research in some new and exciting directions.
I am currently writing a book about heritage and sport, and as part of my research to find new perspectives about this topic I came across Mike Cronin and Roisin Higgins excellent Places We Play: Ireland’s Sporting Heritage. While the authors cover many topics one would expect from a sport heritage-based book – including some of the sites, stadiums, and places associated with Irish sport – they also included a chapter about something I hadn’t considered before: institutions as a form of sport heritage. Specific to their topic, they considered in particular non-sport institutions such as the Catholic Church, the YMCA, and schools and universities as “a key set of institutions in Irish life which believed that sport and physical exercise would benefit their communities” (p. 59).
Of course, one can not only consider the non-sport institutions that helped to historically facilitate sport (particularly at the community and grassroots level), often as something – again to quote Cronin and Higgins – that was “morally and physically beneficial” to people. Rather, in addition, could we also consider other institutions that help to create, disseminate, and facilitate sport heritage – such as media, or the military? Or that which protects sport heritage sites, like the law and government? Sport heritage is, after all, used to generate nationalism in many different ways.
And, again, if we take a subset of institutions and think, specifically, about sport heritage organizations – such as interest groups, professional organizations, and the like – certainly these could be part of the sport heritage as well. And, sports and media organizations also have their own heritage – not just in terms of corporate culture and the like, but also in terms of celebrating longevity (anniversaries of leagues, the marking of events such as the SuperBowl, etc.) These are not only marketing tropes, but also give a sense of permanency and trust.
Of course, the role of institutions and organizations in sport has been touched-on in sport history. However, that institutions and organizations are both connected to sport heritage, and how they use sport heritage to meet their current aims and considerations, is something to explore.
One element of heritage, particularly public manifestations of heritage, is that heritage is much more fun to do and to watch rather than to read-about. Most museums and historic sites will provide opportunities for visitors to touch, feel, and try particular activities from the past. Many will also incorporate forms of live interpretation and re-enactments, in order for visitors to see the past “come to life.” Certainly, these opportunities provide a much more diverse learning opportunity for visitors and provide a sensual, and perhaps empathetic, link between past and present. However, these kinds of activities are also enjoyable and make for an entertaining day out. Perhaps this is why forms of heritage events, such as the ubiquitous Renaissance Fair and Battle Re-enactments, are so popular. Of course, the forms and types of authenticity in these kinds of representations can vary. In my earlier life working at a pioneer village, we worked with several re-enactment groups, and while I found there was an intense fidelity to the accuracy of their outfits, there was little understanding – or care – of the broader social, cultural, and political issues of that material culture…or most anything else, really. At times, it was a cosplay, albeit with real or imagined educational overtones. At other times, I have seen re-enactment done very well, where it is entertaining, accurate, and informative.
Sport heritage has been relatively slow to the re-enactment game, although this has been changing. Certainly, sports museums employ interactive exhibits for a variety of reasons, from entertaining visitors to recruiting the next generation of athletes, though given the ludic nature of sport, it is surprising we have not seen more sites use more interpretation and re-enactments. Similarly, sport re-enactments and historical demonstrations may be akin to experimental archaeology, where historical sports are attempted to see how they work in time and space. However, there appears to be a rise in forms of sport heritage re-enactment and demonstration, particularly in the United States using early manifestations of baseball.
Vintage Base Ball, as it is called, uses rules from the mid-to-late 19th century, and includes players dressing up in period costume and – in some cases – using antiquated language. The sport is a bit of a hybrid between contemporary baseball and cricket, most noticeably in that the pitcher is called the bowler and fielders don’t use gloves. As The Guardian describes it in an article from August:
It’s an intriguing slice of Americana. A blend of historical re-enactment and competitive endeavor, the game could be said to occupy something of a fraught intersection between where baseball was and where it is now…(T)he sport also counts hipsters in search of something off-mainstream, and conservative types attracted by a sense of nostalgia, a period when gentlemanly conduct pervaded the game. Even those who crave a scintilla of officialdom.
Certainly, there are broader ideas – and ideals – of simplicity and something of the rural pastoral, which is indicative of many forms of heritage. The Guardian notes that there has been a significant rise in the number of teams in recent years, and while this could be simply the latest heritage/leisure trend, perhaps there is a larger issue going on – what Philip Moore calls “practical nostalgia” – whereby the nostalgic past becomes a roadmap for how to cure the ills of the present and future. Perhaps Vintage Base Ball is the latest antidote for coping with contemporary society.
Earlier in October, I had the chance to actually play Vintage Base Ball as part of the Georgia Peaches – representing the Ty Cobb Museum in Royston, Georgia – as they took on the Shoeless Joes – representing the Shoeless Joe Jackson Museum in Greenville, South Carolina. The event is held each autumn, and the host museum flips back and forth (this year’s event was held in Royston). While many heritage-based events have goals related to awareness, or an attendance increase, or to raise funds, this annual event appears to exist simply to exist – that it is a way to celebrate, and perhaps redeem and rehabilitate, two of baseball’s infamous antiheroes: Joe Jackson, kicked out of baseball and banned from Hall of Fame induction, for allegedly being part of a group that fixed the 1919 World Series, and Ty Cobb, one of the game’s greatest players, but who might be most well-known for having an extremely short, violent, and possibly racist temper. Shoeless Joe has become a bit more of a folk hero in recent years, perhaps because of his link to the work of the late W.P. Kinsella and the film Field of Dreams, while Cobb – though still largely viewed in a negative light – has inspired recent scholarship that challenges much of the popular negative depiction of him.
There is also an element of kinaesthetic learning to Vintage Base Ball. Like experimental archaeology, Vintage Base Ball could be considered a form of experimental sport heritage – trying a game from the past, in the present, and seeing how it works. I noticed that the game when relatively quickly – we played two games, in fact, and neither took more than 90 minutes or so. In part, it seemed that this had much to do with the rules, in particular that an out could be achieved from catching the ball after one hop (rather than in the air, as is the only way contemporary baseball). Similarly, you could see the echoes of cricket in the game, particularly in terms of fielding and style of play. Certainly, in the 1860s there was a transition from cricket to baseball, though beyond terminology and the lack of gloves, there is also an apparent shared yearning for a more civil form of recreation and leisure. Finally, although there was some fidelity to authentic representation (one player for the Georgia Peaches came all the way from St. Louis, and wore a vintage Detroit Tigers uniform for the game), it was more about celebrating the achievements of Cobb and Jackson, as well as creating a tradition in their name.
Last year on this blog I wrote about sensing sport heritage, that is to say that there is a particular form of sensuality associated with sport heritage which is more than just seeing or touching a sporting place or artefact. Many heritages, as we know, are more personal in nature and link to individual pasts and memories, particularly from childhood. Things like smell and taste are part of our sporting pasts, and can take us back to particular sporting experiences. One of my students, for example, recently related a story about how drinking hot chocolate immediately reminded her of being at a hockey rink in her home in Vermont. For her, hot chocolate will always be linked to winters at the rink, and she found that it triggered a very specific form of nostalgia for her.
Perhaps less specific than links to specific senses are the associations of sports with the natural calendar; that there is an almost visceral connection between seasons and particular sports. Of course, particular sports must be played at particular times of the year, although with our ability to control and create artificial environments, weather can be eliminated or controlled in sporting environments in many cases. No, this is to say that watching or participating in certain sports simply belong to the wider heritage of a particular season; that certain sports simply belong at particular times of year. Of course, we may simply be conditioned to expect that particular sports belong at certain times of the year – what is commonly called institutional seasonality. American football is associated with the Fall, and though it feels as though it ought to be associated with leaves and cooler temperatures and autumn holidays like Thanksgiving, the institutional structure of it simply puts it at a certain time of year. Football could, of course, just as easily be played in the spring – but, because of its institutional structure, we associate the sport with the broader markers of the season. Other sports, like baseball, have – in a sense – a dual season – as Ken Burns says (and to paraphrase), baseball gives us the promise of spring and the harsh realities of fall. And, yet, there is something wholly appropriate about the traditions associated with Opening Day in baseball – normally one of the most anticipated days in the American sporting calendar – in large part because of the promise of spring renewal. Similarly, I have friends and colleagues who adore October baseball, not only because it is the playoffs but because the feel of the games are part of the tradition; that summer has clearly past, and winter is on the horizon, but the playoffs occupy that beautiful liminal space in-between. As a colleague said to me earlier this month, “it just smells like October baseball.” Baseball may even have a third season, the offseason where many of the moves and transactions take place, which – associating it with cold, winter nights – is called the “hot stove” which “calls up images of baseball fans gathering around a hot stove during the cold winter months, discussing their favorite baseball teams and players.”
A few years back, I had a paper published about the development of community league hockey rinks in Edmonton. Although the paper was largely a historical look at gender and recreation, the paper was – in part – framed around the winter-based tropes that are part and parcel of the outdoor hockey experience. Of course, cold, winter weather is necessary to have outdoor hockey but, of course, the rink and the season associated with this sporting practice are part of broader identities. I liberally quoted from both academic and popular sources that framed the rink as, in part, “a key signifier of our national claims on winter and northernness, of our identity as a wholesome, hardy people. Rosy- cheeked children play shinny against a prairie sky, a city skyline, a ridge of pines. Cold winds are vanquished by the swoosh and cut of a blade, the thwack of a frozen puck on a stick. A national fairy tale.” In this, the sport cannot be separated from the season; they are both part and parcel of the traditions and heritages of certain times of year.
Of course, like any heritage, the linking of sport and particular times of year are contextual and, perhaps, driven by media discourses. The infamous – and often parodied – introduction of The Masters golf tournament by Jim Nantz has constructed and solidified an impression of spring in the South. Of course, in the global media age, many of these impressions of particular times of year are mobile, and may resonate with people who have never directly experienced these conditions – but feel attached and attracted to them, nevertheless. Growing up in Canada, the outdoor rink was simply part of who we were – though, now, through the proliferation of outdoor hockey events, many fans may now see these kinds of environments as part of their heritage too – even if they are relatively foreign to them.
However, we ought to consider these broader environments – seasons, temperature, and weather – as part of sport heritage. In many cases, they are as important in creating and constructing the sporting past as buildings and artefacts.
In the past two generations, heritage studies – and heritage conservation along with it – have embraced broader notions of what constitutes a heritage worthy of recognition and protection. Although much of the broader understandings of built heritage have included recognizing and conserving vernacular heritage like industrial sites, agricultural locations, and heritages of everyday home life, heritages of sport, leisure, and recreation have too become part of the contemporary conservation movement. Although it may, on some level, be a stretch to position monumental structures like sports venues – along with the elite (and, in recent decades, well-compensated) athletes who now work there – as heritages of the everyday, these “new cathedrals” are nevertheless important symbols in the community and to the people who use or are impacted by them. In particular, they become more than utilitarian places when they are demolished or when a team elects to move venues. As such, sporting venues become remnants like any other form of built heritage: they are symbols of a past, a repository of memory, and a place that, in many cases, is important to conserve. However, unlike a stately home or even an old factory, an abandoned sporting venue does pose a unique conservation challenge, in whether it makes sense to preserve and conserve a sporting venue when its primary use – a place where sport is played – no longer occurs.
(The former Maple Leaf Gardens in Toronto, now home to – among other things – a grocery store and university athletics facility. Photo courtesy of Kate Blair)
Although the much of the focus in the conservation and preservation of sporting venues focuses on the grand and famous, many sporting venues have much more local and regional meanings and, often, are associated more with community leisure and recreation than professional and elite sport. In 2002, English Heritage commissioned a report titled A Sporting Chance which looked at the recognition and conservation of a variety of sporting venues, from famous football grounds through to community pools and leisure facilities to factories which made sporting equipment. In 2011, Historic England (the successor to English Heritage) provided an updated prospectus on the preservation of sport heritage venues, arguing that
Sport and recreation play a major role in modern life. Historic buildings in these categories can therefore elicit strong emotional and sentimental responses. At best, buildings for sport and recreation can be structures of architectural elegance, imbued with considerable social history interest. More commonly they are merely functional in appearance. Yet many of those that survive – and the losses have been considerable – transcend mere utility, and have a character all of their own. (p.3)
The report notes that historic sporting venues have come under threat from commercial and real estate development, from changing health and safety initiatives, and from the need and desire for sporting clubs and sport organizations to maximize revenues (and which may threaten the historic integrity – or continued use – of a historic venue). Furthermore, the report provides numerous other forms of sport venue preservation, including locations associated with ancient and medieval sports like cockfighting and real tennis, as well as more community-based sporting facilities such as billiard halls, cricket clubs, velodromes, gymnasia and drill halls, race tracks (horse, greyhound, and auto), and many more.
Although architectural and historic considerations are important in preserving sporting venues, often it is the emotional connections to these venues which are most pronounced. Losing a beloved venue can be a challenging and even traumatic event for fans and supporters, particularly when it is associated with a the move of a team or the end of a particular era of play. The demolition of Ebbets Field in 1957, the stadium where Jackie Robinson became the first African American player in Major League Baseball, following the Brooklyn Dodgers move to San Francisco has been eulogized numerous times, most notably by filmmaker Ken Burns in his landmark 1994 documentary series “Baseball”:
In 1912, construction began. By the time it was completed a year later, Pigtown had been transformed into Ebbets Field – baseball’s newest shrine, where some of the game’s greatest drama would take place. In the years to come, Dodger fans would see more bad times than good, but hardly car, listen to the southern cadences of a pioneer broadcaster, and witness first-hand baseball’s finest moment – when a black man wearing number 42 trotted out to first base.
In 1955, after more than four decades of frustration, Brooklyn would finally win a world championship, only to know, two years later, the ultimate heartbreak, as their team moved to a new city, 3,000 miles away, leaving an empty shell in Flatbush that eventually became an apartment building, and an even emptier spot in the soul of every Brooklyn fan.
The “empty shell” of a venue no longer has a purpose if games are no longer played there, thus the justification for conservation or preservation becomes a challenge. Nothing is so dead as an empty stadium. In recent years, however, the heritage value of sporting venues have been reconsidered – including for venues that, even a few short years ago, would have struggled to be defined as “heritage.” Sites such as the Astrodome, which ushered in the era of the multipurpose stadium, are now considered important representations of a particular form and type of sport heritage.
There are few sites in professional sport that are as much aligned with sport heritage, heritage sport tourism, and sporting pilgrimage as Boston’s Fenway Park, home of the Red Sox baseball club. The stadium opened in 1912, sells-out virtually every game, has a quirky, unique design (particularly the large, left field wall known as the “Green Monster“) that has inspired the design of numerous contemporary stadium design features – and even several replicas at the minor league level, attracts hundreds of thousands of visitors on non-game days and in the off-season (making it one of the most visited tourist attractions in Massachusetts), and is listed on the National Register of Historic Places for its age and design, links to baseball history, connections to New England identity, and role as a “muse” for numerous literary and artistic works. Even some of the areas surrounding the stadium – such as the prominent “Citgo” sign over the outfield wall – are considered part of the heritage infrastructure of Fenway Park. In terms of its role in sport heritage research, Fenway Park makes numerous appearances – most notably in the work of Michael Friedman, who looks at how sport heritage has been created and marketed at Fenway as well as how Fenway has actually borrowed features from retro ballparks like Oriole Park at Camden Yards in Baltimore (particularly in the creation of Yawkey Way outside of the ballpark, which is based off of Eutaw Street in Baltimore).
My purpose for going to Fenway Park, aside from the fact that I had never been before, was as part of a long-time promise my brother and I made to our father to one day take him to see a game at the stadium. My father isn’t a Red Sox fan, my brother doesn’t follow baseball at all, and I am a Toronto Blue Jays supporter – a division rival of the Red Sox. However, going to Fenway was, in truth, on all of our sporting “bucket list” in large part because of the stadium’s infamy. As such, we finally fulfilled our promise to take our father to a game, an August 27, 2016 matchup between the defending World Series champion Kansas City Royals and the hometown Red Sox.
Although many sporting venues use sport heritage for a variety of purposes, from establishing a sense of place tangible link between past and present to creating a sense of legitimacy, few sites – if any I have experienced – commodify their heritage in the same way Fenway Park does. From the old timey street carnival on Yawkey Way, to the Fenway-inspired “antiqued” souvenirs, to the colour of the stadium (a kind-of “heritage green”) to the use of an antiquated manual scoreboard, to the Fenway traditions like the singing of “Sweet Caroline” in the eighth inning, the entire experience is very much managed through the lens of sport heritage. Of course, there is a price to be paid for this – our tickets, which at similar vantage points in other stadiums would retail for around $40 – had a $120 face value. The seats were not overly comfortable either, and many concourse areas of the stadium were significantly more “1912” than “2016” in terms of space. There is also very little heritage dissonance or few ideas of Fenway being anything other than “goodly heritage.”
And yet, despite a long-held antipathy for the Red Sox and many of their fans, it was hard not to feel that Fenway is a very special place. Certainly, much of this feeling had to do with who I went to the game with – the experience was made that much more special because it was a family pilgrimage. The heritage of the venue also made it special. It wasn’t just going to a random ballgame at a major league stadium. It was going to Fenway with my brother and father.
Similarly, I was pleased to see numerous – and almost discreetly-placed – heritage markers throughout the stadium, most of which had to do with changes in design and features (such as when stadium lights were added, or when elevators were installed). In many ways, it felt a little like going to a National Historic Site – that there was a realization that the heritage of the stadium is multifaceted, perhaps not necessarily in terms of narratives but in terms of approach. I think this reflected what the National Register of Historic Places designation set out to do – Fenway is not just an old ballpark, it is a symbol and a conduit between past and present.
Finally, it was just fun. I have been to many ballparks throughout the United States and Canada, and few gave the feeling of both gravitas and the sense that every game was an event like going to Fenway Park. Going to a game at Fenway just feels special, and that you are dipping a toe in a river of baseball lore that existed before you and will continue long after you are gone. I can’t say I’ll become a Red Sox fan anytime soon, but I’m already planning my next trip.
For the last two years, I have written blog posts recommending some sports-centric books suitable for beach-reading. That is to say, these books need to a) be somehow about sport, and b) need to be substantive – but not weighty (perhaps both in tone and tome, as it were). Though we are a few weeks into summer at this point, there are probably a few weeks left of beach time (at least for us in the northern hemisphere) and a chance to catch up on some summer reading. I will also point out that these are simply some of my recommendations – the excellent Sports Biblio website is a treasure trove for sports lit, and is certainly far more in-depth and complete that my meagre offering here. Finding a theme for this years list, I’d venture to place my recommendations into two categories – deeply bucolic and idyllic, and nostalgic in, perhaps, the most romantic and bittersweet way. Enjoy!
Wisden Cricketers’ Almanack – Larwrence Booth (ed.)
Few things signal the beginnings of summer more for me than the publication of the Wisden Cricketers’ Almanack. Though the physical almanack is, perhaps, a little unsuitable for beach-reading per se, the “Shorter” Wisden – available for e-readers – includes all of the best written components of the Almanack without the many scorecards from county games and the like (though, personally, I download the shorter version for my Kindle and order the physical copy for my library). Wisden is perhaps most famous for its “Five Cricketers of the Year,” each year offers many original insights about the state of the game (2016’s version includes discussions ranging from the history of cricketing celebrations to exploring why there aren’t more British-Asians in first-class cricket), while the review section includes all of the annual round-ups of cricket miscellany: from cricket books and film to cricket on social media to the market for cricket memorabilia. There is also a wonderful obituary section which includes often moving write-ups of first-class cricketers and administrators great and small, the recaps of England’s international team, the domestic leagues, and cricket around the world. Every summer, I piece through Wisden – reading bits here and there – and it never fails to make me dream of perfect summer days at some county ground.
Sweet Summers – JM Kilburn
“Cricket is of us, as the very breath in our lungs, makes poets of the incoherent and artists of the artisans. Not one of us that takes a bat or bowls a ball or watches a game but gives and receives a precious heritage.” So says JM Kilburn, longtime cricket correspondent for the Yorkshire Post, in this collection of his best cricket writing. Though Wisden is steeped in heritage, it is very much focused on the game as it is now. This collection, on the other hand, reveals a past where cricket – particularly at the county level – was truly important, and poetic, and a goodly heritage. Kilburn’s writing is idyllic and bucolic and wonderful in all of the ways that sentimental writing ought to be, with the added component that it is never saccharine and always done with the greatest affection. I find myself reading and re-reading sections of this book often, particularly when I find that life has gotten in the way of perfect leisure, and it reminds me of what once was, and could be again.
Not by a Long Shot – T.D. Thornton
With apologies to boxing, few sports have seen such a vast decline in popularity – at least in the United States – as horse racing has in the past 80 years. That decline – and, perhaps, the romance that goes along with a sport that is still deeply loved by a few hardcore and dedicated stalwarts – is the focus of Thornton’s book about the (now closed) Suffolk Downs track in Boston. In equal parts autopsy and love letter, Thornton explains the decline of the sport while still demonstrating vast admiration for those places and people that keep it going.
Up, Up, and Away – Jonah Keri
The Montreal Expos seem like a strange topic for such an engrossing book that is both autoethnography (Keri was a die-hard Expos fan) and history, but Keri does a remarkable job of weaving personal narrative, historical narratives, and interview material together to discuss the rise and fall of Canada’s first Major League Baseball team. Though the Expos left Montreal in 2004, there is a growing movement to expand or relocate to the city again. Given what Keri describes in this book, Expos 2.0 will have a long ways to go to live up to the drama, personalities, and fun of their predecessors.
On Friday evening, I will be going to Turner Field in Atlanta (the former Olympic Stadium which will close at the end of this season) to watch the Atlanta Braves take on the Miami Marlins. Though there are several reasons for going to this game in particular – perhaps, in part, connecting a summer leisure activity to a kind-of American traditionalism and nationalism, not to mention the fact that though I dislike the Braves immensely, I like the Marlins…and I love attending live baseball games in the middle of summer – one of my main considerations is seeing Ichiro Suzuki play one final time before he, likely, retires at the end of the season.
Ichiro was, in many respects, baseball’s first global superstar, having established himself in Japanese baseball before joining the Seattle Mariners in his late 20s. Recently, his combined professional hits total topped that of Pete Rose – and though there is some controversy as to whether his Japanese career “counts,” there is little doubt that Ichiro changed the game of baseball, both through his playing ability and through his global reach. He is certainly a first-ballot Hall of Fame player, and arguably one of the best baseball players of all time.
I first saw Ichiro play live in Seattle in 2006. I took a seat in right field – Ichiro’s then position – and was surrounded by fans from Japan, all there to see him play. In fact, much of the in-stadium signage – as well as many of the on-field advertisements – were in both English and Japanese, suggesting just how much of a magnet Ichiro was for fans overseas. Friday’s game will be my third time seeing Ichiro (the other was a mid-April Braves-Marlins game last season), and though I don’t expect to see the same reaction as I experience in 2006, I wouldn’t be surprised if there weren’t a few fans there who, like me, want to see him play one last time.
In many ways, my desire to see Ichiro play reflects on our understandings of sport heritage, namely that athletes represent a kind-of “living” artefact or heritage object. Sean Gammon, in his 2014 paper “Heroes as Heritage“, argues that athletes represent a type of dual sport heritage, in that they themselves are living heritage objects and that their accomplishments and feats represent a type of intangible heritage. I wrote, in response to Gammon’s paper, that
The heroes and the sporting moments they create then, as Gammon argues, become artefacts, and though we can relive and replay the achievement (and, in a sense, preserve the moment(s) in time, perhaps through both personal memory and vicariously through media) we cannot preserve “the object” in the same way that we might other forms of tangible heritage. The relationship between the achievement and the athlete, in fact, demonstrates a paradox in sport heritage. Athletes age, change, and are no longer what they were – indeed, athletes are some of the few heritage “objects” that are not aided by the patina of age. However, their achievements may become more glorious – or heroic – as time goes on.
Ichiro is certainly not the player he once was, and though he’s had a bit of a renaissance as of late, at 42 years of age he now a fourth outfielder (essentially filling in from time to time from starting players) and is battling well down the line-up (as he often strikes out more than he puts a ball in play these days). But, I am not going to see Ichiro as he is now – I am creating anticipatory heritage for myself (the “tell my grandkids about” moment), and celebrating his past achievements – making them, and he, more glorious and heroic as we are farther removed from them.
The idea of dissonance as perhaps the central, innate characteristic of heritage is not new. Indeed, if we accept that all heritage is not neutral, the notion that all heritage could have a counter narrative seems reasonable. In this, we understand – as many in critical heritage studies do – that heritage is often, and perhaps always, about power.
In sport heritage, we have not necessarily considered dissonant heritages that often. While Sean Gammon and I, back in 2005, argued that the sporting past in tourism ought to be called heritage rather than nostalgia – in large part because heritage had the capacity for dissonant narratives – there actually aren’t that many dissonant narratives at sport heritage sites. Of course, there are many reasons for this – as most sport heritage sites like museums and halls of fame are primarily about celebration of achievement and, as such, more challenging views are frequently ignored. Still, there appears to be very few outlets where more challenging approaches to the sporting past – at least in terms of cultural sites like museums – are seen. Similarly, many non-sport cultural entities tend to avoid sporting exhibitions, perhaps viewing sport as too common and popular to represent at, say, a gallery or as part of a broad-based exhibition.
However, there are a few examples I am familiar with where art, dissonance, and sport heritage have met. Perhaps the best example was the Arena: The Art of Hockey exhibition at the Art Gallery of Nova Scotia in 2008. The exhibition both embraced and challenged many of the links between hockey and Canadian national identity. On the one hand, many of the works embraced – if, somewhat subversively – the role hockey plays in Canadian identity. I recall one work which was little more than a nude male and female holding hockey sticks. On the other hand, there were many works that challenged hockey culture and heritage. One work, in particular (and, forgive, I forget the name – though it appears that there are still exhibition guides available) was a collage of images set on an indigenous reserve that featured scenes of hockey as well as suicide, alcoholism, racism and sexual abuse. Although I suspect the work could be read in many ways, I took it as the fact that hockey – and sport in general – does not necessarily address, and perhaps masks, larger social issues.
Similarly, a 2008 exhibition called “Hard Targets: Masculinity and Sports” looks at the violence and voyeuristic aspects of sport consumption. Like Arena, this exhibition appeared to take sport cultures and heritages into an unfamiliar space, both critiquing and celebrating the physicality of sporting practices.
Although there are certainly many other examples of art, dissonance, and sport heritage than these, and there are many sporting sites and places that do address dissonant heritages (Although I have a chapter coming out in early 2017 which looks at several sites that employ dissonant sport heritage narratives), there appears to be space within art galleries in particular – which, perhaps is not available to traditional sport heritage sites like museums and halls of fame – to both celebrate and challenge sport heritages. Perhaps some of this has to do with visitor expectations: hall of fame patrons may be looking to celebrate and nostalgize, while gallery patrons may expect subversion. However, these not need be polar opposites – and can exist, in many cases, side by side (as was recently featured in a post about Argentina). Certainly, many stadia – such as Marlins Park in Miami – have incorporated public art into stadium design (and not simply for nostalgic purposes). While this is not always necessarily addressing major social issues – as some of the art in the Arena exhibit might – it nevertheless demonstrates that so-called “high” and “low” cultures and heritage are not necessarily incompatible.